Motherhood in Full Form Botero Sculpture Delivered to Campus
A notable new arrival now graces ϰٿ’s campus: “Maternity,” a nearly 2,000-pound bronze sculpture by renowned South American artist . The has loaned the work to ϰٿ from the collection of the late Lady Leslie Ridley-Tree.
Standing about nine feet tall, the voluptuous piece now sits at the base of the staircase between the Whittier Science Building and the Adams Center for the Visual Arts, leading up to the ϰٿ Ridley-Tree Museum of Art.
“Botero’s ‘Maternity’ explores the emotional and symbolic depth of motherhood through his distinctive, rounded aesthetic,” says Chris Rupp, director of the ϰٿ Ridley-Tree Museum of Art. “It’s both an homage to the maternal figure and a meditation on the life-giving power of women. The theme of motherhood is universal, and Botero’s treatment makes it tender, reverent and deeply human. Personally, I see echoes of classical representations of the Madonna and Child, a theme especially fitting for ϰٿ.”
Born and raised in Colombia before moving to France in 1973, Botero is celebrated worldwide for his paintings and sculptures in the instantly recognizable style known as Boterismo—marked by voluminous, abundant forms. His works are held in major institutions including the Museum of Modern Art and the Metropolitan Museum of Art in New York, the Hirshhorn Museum in Washington, D.C., the Art Institute of Chicago and numerous museums around the globe.
The ϰٿ museum opens Thursday, Sept. 4 for “Lines of Inquiry: ϰٿ Art Faculty Exhibition” with a free, public opening reception from 4-6 p.m.